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Racial Innocence - Performing American Childhood from Slavery to Civil Rights (Paperback, New)
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Racial Innocence - Performing American Childhood from Slavery to Civil Rights (Paperback, New)
Series: America and the Long 19th Century
Expected to ship within 12 - 17 working days
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2013 Book Award Winner from the International Research Society in
Children's Literature 2012 Outstanding Book Award Winner from the
Association for Theatre in Higher Education 2012 Winner of the Lois
P. Rudnick Book Prize presented by the New England American Studies
Association 2012 Runner-Up, John Hope Franklin Publication Prize
presented by the American Studies Association 2012 Honorable
Mention, Distinguished Book Award presented by the Society for the
Study of American Women Writers Dissects how "innocence" became the
exclusive province of white children, covering slavery to the Civil
Rights era Beginning in the mid nineteenth century in America,
childhood became synonymous with innocence-a reversal of the
previously-dominant Calvinist belief that children were depraved,
sinful creatures. As the idea of childhood innocence took hold, it
became racialized: popular culture constructed white children as
innocent and vulnerable while excluding black youth from these
qualities. Actors, writers, and visual artists then began pairing
white children with African American adults and children, thus
transferring the quality of innocence to a variety of
racial-political projects-a dynamic that Robin Bernstein calls
"racial innocence." This phenomenon informed racial formation from
the mid nineteenth century through the early twentieth. Racial
Innocence takes up a rich archive including books, toys, theatrical
props, and domestic knickknacks which Bernstein analyzes as
"scriptive things" that invite or prompt historically-located
practices while allowing for resistance and social improvisation.
Integrating performance studies with literary and visual analysis,
Bernstein offers singular readings of theatrical productions from
blackface minstrelsy to Uncle Tom's Cabin to The Wonderful Wizard
of Oz; literary works by Joel Chandler Harris, Harriet Wilson, and
Frances Hodgson Burnett; material culture including Topsy
pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy
Ann dolls; and visual texts ranging from fine portraiture to
advertisements for lard substitute. Throughout, Bernstein shows how
"innocence" gradually became the exclusive province of white
children-until the Civil Rights Movement succeeded not only in
legally desegregating public spaces, but in culturally
desegregating the concept of childhood itself.
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