Historic sites, memorials, national parks, museums we live in an
age in which heritage is ever-present. But what does it mean to
live amongst the spectral traces of the past, the heterogeneous
piling up of historic materials in the present? How did heritage
grow from the concern of a handful of enthusiasts and specialists
in one part of the world to something which is considered to be
universally cherished? And what concepts and approaches are
necessary to understanding this global obsession?
Over the decades, since the adoption of the World Heritage
Convention, various crises of definition have significantly
influenced the ways in which heritage is classified, perceived and
managed in contemporary global societies. Taking an
interdisciplinary approach to the many tangible and intangible
things now defined as heritage, this book attempts simultaneously
to account for this global phenomenon and the industry which has
grown up around it, as well as to develop a toolkit of concepts
with which it might be studied. In doing so, it provides a critical
account of the emergence of heritage studies as an
interdisciplinary field of academic study. This is presented as
part of a broader examination of the function of heritage in late
modern societies, with a particular focus on the changes which have
resulted from the globalisation of heritage during the late
twentieth and early twenty-first centuries.
Developing new theoretical approaches and innovative models for
more dialogically democratic heritage decision making processes,
Heritage: Critical Approaches unravels the relationship between
heritage and the experience of late modernity, whilst reorienting
heritage so that it might be more productively connected with other
pressing social, economic, political and environmental issues of
our time.
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