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BYWAYS. Photographs by Roger A Deakins (Hardcover)
Loot Price: R1,064
Discovery Miles 10 640
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BYWAYS. Photographs by Roger A Deakins (Hardcover)
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"The real charm of Byways isn't playing spot-the-location as
Deakins dabbles between takes, but the window it opens onto his
youthful eye. You can trace his drive from an early age to catch
the light at its best - or wait for it - all night if necessary." -
The Telegraph "...his first monograph, Byways, looks not to his
revered cinematography career, but his decades-long habit of taking
still photographs. Among them are breathtaking landscapes and
moments of stillness, interspersed with photographs imbued with wit
thanks to the playful possibilities of scale, framing and timing.
It's the kind of dry humour that sits passers by in conversation
with monuments and miscellaneous objects in the street, or captures
a canine rendition of Cartier-Bresson's seminal image Behind The
Gare Saint-Lazare. - Creative Review "Candid close-ups, wide-angle
landscapes, and dynamic long exposures, his monochrome photographs
display a variety of approaches and techniques, yet first and
foremost, testify to the remarkably perceptive artistic gaze that
has seen him nominated for an Oscar on fifteen separate occasions
(winning twice). Thoughtful, poetic, and profoundly arresting, they
display his distinct enigmatic sensibility, and presented for the
most part with little or no information or context (index aside)
form a compelling visual soliloquy that conveys with great
eloquence, the profound power of the still image." The Independent
Photographer "An intimate introduction to the man behind the lens"
- The Times Portraits and landscapes from the cinematographer famed
for his work with Sam Mendes and the Coen brothers This is the
first monograph by the legendary Oscar-winning cinematographer Sir
Roger Deakins, best known for his collaborations with directors
such as the Coen brothers, Sam Mendes and Denis Villeneuve. It
includes previously unpublished black-and-white photographs
spanning five decades, from 1971 to the present. After graduating
from college Deakins spent a year photographing life in rural North
Devon, in South West England, on a commission for the Beaford Arts
Centre; these images are gathered here for the first time and
attest to a keenly ironic English sensibility, also documenting a
vanished postwar Britain. A second suite of images expresses
Deakins' love of the seaside. Traveling for his cinematic work has
allowed Deakins to photograph landscapes all over the world; in
this third group of images, that same irony remains evident.
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