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Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)

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Figures of the Imagination - Fiction and Song in Britain, 1790-1850 (Paperback) Loot Price: R1,405
Discovery Miles 14 050
Figures of the Imagination - Fiction and Song in Britain, 1790-1850 (Paperback): Roger Hansford

Figures of the Imagination - Fiction and Song in Britain, 1790-1850 (Paperback)

Roger Hansford

Series: Music in Nineteenth-Century Britain

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Loot Price R1,405 Discovery Miles 14 050 | Repayment Terms: R132 pm x 12*

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This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people's growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance novels by Ann Radcliffe, Matthew Lewis, Sir Walter Scott, James Hogg, Edward Bulwer and Charles Kingsley in the period 1790-1850, interrogating the ways that music served to create mood and atmosphere, enlivened social scenes and contributed to plot developments. He explores the connections between musical scenes in romance fiction and the domestic song literature, treating both types of source and their intersection as examples of material culture. Hansford's intersectional reading revolves around a series of imaginative figures - including the minstrel, fairies, mermaids, ghosts, and witches, and Christians engaged both in virtue and vice - the identities of which remained consistent as influence passed between the art forms. While romance authors quoted song lyrics and included musical descriptions and characters, their novels recorded and modelled the performance of songs by the middle and upper classes, influencing the work of composers and the actions of performers who read romance fiction.

General

Imprint: Routledge
Country of origin: United Kingdom
Series: Music in Nineteenth-Century Britain
Release date: February 2019
First published: 2017
Authors: Roger Hansford
Dimensions: 234 x 156mm (L x W)
Format: Paperback
Pages: 300
ISBN-13: 978-0-367-23141-5
Categories: Books > Arts & Architecture > The arts: general issues > General
Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
Books > Language & Literature > Literature: history & criticism > Literary studies > 19th century
Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > Popular culture
Books > Arts & Architecture > Music > Contemporary popular music > Rock & pop > General
Books > Music > Contemporary popular music > Rock & pop > General
Books > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
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LSN: 0-367-23141-7
Barcode: 9780367231415

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