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The Reception of Bach's Organ Works from Mendelssohn to Brahms (Hardcover)
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The Reception of Bach's Organ Works from Mendelssohn to Brahms (Hardcover)
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In this penetrating study, Russell Stinson explores how four of the
greatest composers of the nineteenth century-Felix Mendelssohn,
Robert Schumann, Franz Liszt, and Johannes Brahms-responded to the
model of Bach's organ music. The author shows that this
quadrumvirate not only borrowed from Bach's organ works in creating
their own masterpieces, whether for keyboard, voice, orchestra, or
chamber ensemble, but that they also reacted significantly to the
music as performers, editors, theorists, and teachers. Furthermore,
the book reveals how these four titans influenced one another as
"receptors" of this repertory and how their mutual
acquaintances-especially Clara Schumann-contributed as well. As the
first comprehensive discussion of this topic ever attempted,
Stinson's book represents a major step forward in the literature on
the so-called Bach revival. He considers biographical as well as
musical evidence to arrive at a host of new and sometimes startling
conclusions. Filled with fascinating anecdotes, the study also
includes detailed observations on how these composers annotated
their personal copies of Bach's organ works. Stinson's book is
entirely up-to-date and offers much material previously unavailable
in English. It is meticulously annotated and indexed, and it
features numerous musical examples and facsimile plates as well as
an exhaustive bibliography. Included in an appendix is Brahms's
hitherto unpublished study score of the Fantasy in G Major, BWV
572. Engagingly written, this study should be read by anyone
interested in the music of Bach or the music of the nineteenth
century.
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