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The Sculpted Ear - Aurality and Statuary in the West (Paperback)
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The Sculpted Ear - Aurality and Statuary in the West (Paperback)
Series: Perspectives on Sensory History
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Sound and statuary have had a complicated relationship in Western
aesthetic thought since antiquity. Taking as its focus the sounding
statue—a type of anthropocentric statue that invites the viewer
to imagine sounds the statue might make—The Sculpted Ear rethinks
this relationship in light of discourses on aurality emerging
within the field of sound studies. Ryan McCormack argues that the
sounding statue is best thought of not as an aesthetic object but
as an event heard by people and subsequently conceptualized into
being through acts of writing and performance. Constructing a
history in which hearing plays an integral role in ideas about
anthropocentric statuary, McCormack begins with the ancient
sculpture of Laocoön before moving to a discussion of the early
modern automaton known as Tipu’s Tiger and the statue of the
Commendatore in Mozart’s Don Giovanni. Finally, he examines
statues of people from the present and the past, including the
singer Josephine Baker, the violinist Aleksandar Nikolov, and the
actor Bob Newhart—with each case touching on some of the issues
that have historically plagued the aesthetic viability of the
sounding statue. McCormack convincingly demonstrates how sounding
statues have served as important precursors and continuing
contributors to modern ideas about the ontology of sound,
technologies of sound reproduction, and performance practices
blurring traditional divides between music, sculpture, and the
other arts. A compelling narrative that illuminates the stories of
individual sculptural objects and the audiences that hear them,
this book will appeal to anyone interested in the connections
between aurality and statues in the Western world, in particular
scholars and students of sound studies and sensory history.
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