This original and timely collection features writings from
international contributors who specialize in digital art and
performance practices (including Johannes Birringer, Robert
Weschler and Philip Auslander). There are few writings per se that
attempt to interrogate the interaction between new technologies and
performance practice. Furthermore, none have so far linked the
sensuous contact that must exist between the physical and virtual,
together with the resultant corporeal transformation. In certain
technological practices, physicality is both transcended and
ludically inscribed - the play ("jouer") being all. Consequently,
digital practices potentiate creative and aesthetic possibilities
and demand new perceptive strategies.
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