Weyward Macbeth, a volume of entirely new essays, provides
innovative, interdisciplinary approaches to the various ways
Shakespeare's 'Macbeth' has been adapted and appropriated within
the context of American racial constructions. Comprehensive in its
scope, this collection addresses the enduringly fraught history of
'Macbeth' in the United States, from its appearance as the first
Shakespearean play documented in the American colonies to a
proposed Hollywood film version with a black diasporic cast. Over
two dozen contributions explore 'Macbeth's' haunting presence in
American drama, poetry, film, music, history, politics, acting, and
directing - all through the intersections of race and performance.
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