Every era has invented a different idea of the 'classical' to
create its own identity. Thus the 'classical' does not concern only
the past: it is also concerned with the present and a vision of the
future.
In this elegant new book, Salvatore Settis traces the ways in
which we have related to our 'classical' past, starting with
post-modern American skyscrapers and working his way back through
our cultural history to the attitudes of the Greeks and Romans
themselves.
Settis argues that this obsession with cultural decay, ruins and
a 'classical' past is specifically European and the product of a
collective cultural trauma following the collapse of the Roman
Empire. This situation differed from that of the Aztec and Inca
empires whose collapse was more sudden and more complete, and from
the Chinese Empire which always enjoyed a high degree of
continuity. He demonstrates how the idea of the 'classical' has
changed over the centuries through an unrelenting decay of
'classicism' and its equally unrelenting rebirth in an altered
form.
In the Modern Era this emulation of the 'ancients' by the
'moderns' was accompanied by new trends: the increasing belief that
the former had now been surpassed by the latter, and an increasing
preference for the Greek over the Roman. These conflicting
interpretations were as much about the future as they were about
the past. No civilization can invent itself if it does not have
other societies in other times and other places to act as
benchmarks.
Settis argues that we will be better equipped to mould new
generations for the future once we understand that the 'classical'
is not a dead culture we inherited and for which we can take no
credit, but something startling that has to be re-created every day
and is a powerful spur to understanding the 'other'.
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