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Openings - A Memoir from the Women's Art Movement, New York City 1970-1992 (Paperback)
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Openings - A Memoir from the Women's Art Movement, New York City 1970-1992 (Paperback)
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A candid and generous color-illustrated account of women artists
creating politically and personally effective art works,
exhibitions, and actions over two tumultuous decades This
abundantly illustrated personal narrative takes readers through
twenty-two years of activism in the women's art movements in New
York City during a period of great cultural change. Author Sabra
Moore vividly recounts life in this era of social upheaval in which
women artists responded to war, racial tension and reconciliation,
cultural and aesthetic inequality, and struggles for reproductive
freedom. We learn intimately how she and fellow women artists found
ways to create politically and personally effective art works,
exhibitions, actions, and institutions. The book features Moore's
involvement in pivotal art organizations of this time and her own
development as an artist, counterbalanced with her connections to
family in rural East Texas and friends in New Mexico. Moore was a
member of the Heresies Collective, an influential feminist activist
group, became editor of their art and politics journal Heresies,
and was president of the NYC/Women's Caucus for Art. She helped
coordinate and curate many of the earliest large-scale exhibitions
of women artists in NYC, including Views by Women Artists (1982),
and the collaborative shows Reconstruction Project and Connections
Project/Conexus. Moore was a principle organizer of the 1984
demonstration against MoMA over their lack of inclusion of women
artists and was a member of various groundbreaking collaborative
arts groups in the 1970s, including Atlantic Gallery and WAR (Women
Artists in Revolution). While Openings is an historical narrative
of women artists' actions, organizations, and ideas, it also
candidly describes their periods of challenge, including the death
of sculptor Ana Mendieta and the indictment of her husband and the
author's own attempted murder by her former art teacher. The book
is illustrated throughout by a treasure of 950 color and black
& white images of the art from this momentous period: a
valuable collection that is concurrently being archived by Barnard
College along with papers, letters, show cards, posters, original
artworks, and other documents. This eye-opening book includes
forewords by renowned art critic Lucy Lippard and poet/activist
Margaret Randall.
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