Shakespeare's problem plays present an unusually fertile field for
Jungian tillage. Like a face glimpsed in a crowd and then lost,
these works seem to hint at truths just beyond our grasp. Viewed
through the lens of Jung's theory of archetypes, pieces fall into
place with remarkable clarity, each revolving around a specific
critical axis that allows us to see the form and structure that
elude us in other readings. The author argues that Jung's theories
offer the best key to date for these most intriguing of literary
and dramatic puzzles.
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