Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800
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Animating the Antique - Sculptural Encounter in the Age of Aesthetic Theory (Hardcover)
Loot Price: R2,922
Discovery Miles 29 220
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Animating the Antique - Sculptural Encounter in the Age of Aesthetic Theory (Hardcover)
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Framed by tensions between figural sculpture experienced in the
round and its translation into two-dimensional representations,
Animating the Antique explores enthralling episodes in a history of
artistic and aesthetic encounters. Moving across varied
locations-among them Rome, Florence, Naples, London, Dresden, and
Paris-Sarah Betzer explores a history that has yet to be written:
that of the Janus-faced nature of interactions with the antique by
which sculptures and beholders alike were caught between the
promise of animation and the threat of mortification. Examining the
traces of affective and transformative sculptural encounters, the
book takes off from the decades marked by the archaeological,
art-historical, and art-philosophical developments of the
mid-eighteenth century and culminantes in fin de siecle
anthropological, psychological, and empathic frameworks. It turns
on two fundamental and interconnected arguments: that an
eighteenth-century ontology of ancient sculpture continued to
inform encounters with the antique well into the nineteenth
century, and that by attending to the enduring power of this model,
we can newly appreciate the distinctively modern terms of antique
sculpture's allure. As Betzer shows, these eighteenth-century
developments had far-reaching ramifications for the making and
beholding of modern art, the articulations of art theory, the
writing of art history, and a significantly queer Nachleben of the
antique. Bold and wide-ranging, Animating the Antique sheds light
upon the work of myriad artists, in addition to that of writers
ranging from Goethe and Winckelmann to Hegel, Walter Pater, and
Vernon Lee. It will be especially welcomed by scholars and students
working in eighteenth- and nineteenth-century art history, art
writing, and art historiography.
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