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Stagestruck - Theater, AIDS, and the Marketing of Gay America (Paperback, New)
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Stagestruck - Theater, AIDS, and the Marketing of Gay America (Paperback, New)
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In Stagestruck noted novelist and outspoken critic Sarah Schulman
offers an account of her growing awareness of the startling
similarities between her novel People in Trouble and the smash
Broadway hit Rent. Written with a powerful and personal voice,
Schulman's book is part gossipy narrative, part behind-the-scenes
glimpse into the New York theater culture, and part polemic on how
mainstream artists co-opt the work of "marginal" artists to give an
air of diversity and authenticity to their own work. Rising above
the details of her own case, Schulman boldly uses her suspicions of
copyright infringement as an opportunity to initiate a larger
conversation on how AIDS and gay experience are being represented
in American art and commerce. Closely recounting her discovery of
the ways in which Rent took materials from her own novel, Schulman
takes us on her riveting and infuriating journey through the power
structures of New York theater and media, a journey she pursued to
seek legal restitution and make her voice heard. Then, to provide a
cultural context for the emergence of Rent-which Schulman
experienced first-hand as a weekly theater critic for the New York
Press at the time of Rent's premiere-she reveals in rich detail the
off- and off-off-Broadway theater scene of the time. She argues
that these often neglected works and performances provide more
nuanced and accurate depictions of the lives of gay men, Latinos,
blacks, lesbians and people with AIDS than popular works seen in
full houses on Broadway stages. Schulman brings her discussion full
circle with an incisive look at how gay and lesbian culture has
become rapidly commodified, not only by mainstream theater
productions such as Rent but also by its reduction into a mere
demographic made palatable for niche marketing. Ultimately,
Schulman argues, American art and culture has made acceptable a
representation of "the homosexual" that undermines, if not
completely erases, the actual experiences of people who continue to
suffer from discrimination or disease. Stagestruck's message is
sure to incite discussion and raise the level of debate about
cultural politics in America today.
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