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The Visual Object of Desire in Late Medieval England (Hardcover)
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The Visual Object of Desire in Late Medieval England (Hardcover)
Series: The Middle Ages Series
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Little remains of the rich visual culture of late medieval English
piety. The century and a half leading up to the Reformation had
seen an unparalleled growth of devotional arts, as chapels, parish
churches, and cathedrals came to be filled with images in stone,
wood, alabaster, glass, embroidery, and paint of newly personalized
saints, angels, and the Holy Family. But much of this fell victim
to the Royal Injunctions of September 1538, when parish officials
were ordered to remove images from their churches. In this highly
insightful book Sarah Stanbury explores the lost traffic in images
in late medieval England and its impact on contemporary authors and
artists. For Chaucer, Nicholas Love, and Margery Kempe, the image
debate provides an urgent language for exploring the demands of a
material devotional culture-though these writers by no means agree
on the ethics of those demands. The chronicler Henry Knighton
invoked a statue of St. Katherine to illustrate a lurid story about
image-breaking Lollards. Later John Capgrave wrote a long Katherine
legend that comments, through the drama of a saint in action, on
the powers and uses of religious images. As Stanbury contends,
England in the late Middle Ages was keenly attuned to and troubled
by its "culture of the spectacle," whether this spectacle took the
form of a newly made queen in Chaucer's Clerk's Tale or of the
animate Christ in Norwich Cathedral's Despenser Retable. In
picturing images and icons, these texts were responding to
reformist controversies as well as to the social and economic
demands of things themselves, the provocative objects that made up
the fabric of ritual life.
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