The book draws on a series of practitioner-led talks by the
photographers John Duncan, Mary McIntyre, Donovan Wylvie, Paul
Seawright, Kai Olaf Hesse and David Farrell, providing a discursive
space that is part academy, part community activism and part
cultural practice. These were intended to enable an exploration of
contemporary photography in analytical proximity to what is going
on currently across a range of disciplines: urbanism and the
regeneration of the city, curatorial practices, the arts academy,
community activism and photographic practice. Through placing
contemporary photography in dialogue with other disciplines and the
contested histories of the city, the series explored the centrality
and complexity of meaning as an intersection of the social,
political and aesthetic. After the Agreement makes public the
critical conversations that systematically explore photography as
civic negotiation and includes reproductions of a selection of
photographs from the participating photographers: Paul Seawright's
Conflicting Account, 2009; John Duncan's We Were Here, 2006, and
Trees From Germany, 2003; Mary McIntyre's Interior Series, 1998 -
2000; David Farrell's Innocent Landscapes, 2001, and The Revisits,
2003; Donovan Wylvie's The Maze, 2004; and Kai Olaf Hesse's
Topography of the Titantic, 2003.
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