This book examines the role of community filmmaking in society and
its connection with issues of cultural diversity, innovation,
policy and practice in various places. Deploying a range of
examples from Europe, North America, Australia and Hong Kong, the
chapters show that film emerging from outside the mainstream film
industries and within community contexts can lead to innovation in
terms of both content and processes and a better representation of
the cultural diversity of a range of communities and places. The
book aims to situate the community filmmaker as the central node in
the complex network of relationships between diverse communities,
funding bodies, policy and the film industries.
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