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Images at War - Mexico From Columbus to Blade Runner (1492–2019) (Paperback)
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Images at War - Mexico From Columbus to Blade Runner (1492–2019) (Paperback)
Series: Latin America Otherwise
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"If colonial America was the melting pot of modernity, it was
because it was also a fabulous laboratory of images. . . . Just as
much as speech and writing, the image can be a vehicle for all
sorts of power and resistance." So writes Serge Gruzinski in the
introduction to "Images at War, "his""striking reinterpretation of
the Spanish colonization of Mexico.""Concentrating on the political
meaning of the baroque image and its function within a
multicultural society, Gruzinski compares its ubiquity in Mexico to
our modern fascination with images and their meaning."
" Although the baroque image played a decisive role in many arenas,
especially that of conquest and New World colonization, its
powerful resonance in the sphere of religion is a focal point of
Gruzinski's study. In his analysis of how images conveyed meaning
across linguistic barriers, he uncovers recurring themes of false
images, less-than-perfect replicas, the uprooting of peoples and
cultural memories, and the violence of iconoclastic destruction. He
shows how various ethnic groups--Indians, blacks, Europeans--left
their distinct marks on images of colonialism and religion,
coopting them into expressions of identity or instruments of
rebellion. As Gruzinski's story unfolds, he tells of Aztec idols,
the cult of the Virgin of Guadalupe, conquistadors, Franciscans,
and neoclassical attempts to repress the baroque. In the final
chapter he discusses the political and religious implications of
contemporary imagery--such as that in Mexican soap operas--and
speculates about the future of images in Latin America.
Originally written in French, this work makes available to an
English audience a seminal study of Mexico and the role of the
image in the New World.
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