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Cinema, Black Suffering, and Theodicy - Modern God (Hardcover)
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Cinema, Black Suffering, and Theodicy - Modern God (Hardcover)
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This book explicates how many films intersect black suffering and
God-talk in ways that instantiate secular limitations to divine
efficacy. The book's concept of a modern God introduces a new
method of analysis that reimagines theodical discourses as
mechanisms of modern identities and filmmakers as skillful exegetes
who recalibrate divine attributes to the sensemaking cadences of
their contemporaries. Shayne Lee demonstrates how cinematic
theodicy navigates a happy medium between affirming divine
benevolence and sidelining supernatural activity and that filmic
characters, like their real-world counterparts, are quite clever at
triangulating rationality, faith, and tragedy. In addition to
positing synergistic links between theodicy and secularity, Lee
offers critical insights into cinema's relevance to the sociology
of evil by specifying how films code and narrate malevolent actions
and outcomes, demarcate clear lines of distinction between victims
and perpetrators, clarify societal dynamics driving inequality and
oppression, and transform individual episodes of suffering into
collective and memorialized identities of trauma. This book
illuminates how filmic treatments of theodicy construct evil and
suffering in calculated ways that connect specific acts, effects,
and institutions to greater structures of meaning.
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