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The Real Negro - The Question of Authenticity in Twentieth-Century African American Literature (Paperback)
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The Real Negro - The Question of Authenticity in Twentieth-Century African American Literature (Paperback)
Series: Literary Criticism and Cultural Theory
Expected to ship within 12 - 17 working days
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In this book, Shelly Eversley historicizes the demand for racial
authenticity - what Zora Neale Hurston called 'the real Negro' - in
twentieth-century American literature. Eversley argues that the
modern emergence of the interest in 'the real Negro' transforms the
question of what race an author belongs into a question of what it
takes to belong to that race. Consequently, Paul Laurence Dunbar's
Negro dialect poems were prized in the first part of the century
because - written by a black man - they were not 'imitation' black,
while the dialect performances by Zora Neale Hurston were
celebrated because, written by a 'real' black, they were not
'imitation' white. The second half of the century, in its dismissal
of material segregation, sanctions a notion of black racial meaning
as internal and psychological and thus promotes a version of black
racial 'truth' as invisible and interior, yet fixed within a stable
conception of difference. The Real Negro foregrounds how
investments in black racial specificity illuminate the dynamic
terms that define what makes a text and a person 'black', while it
also reveals how 'blackness', spoken and authentic, guards a more
fragile, because unspoken, commitment to the purity and primacy of
'whiteness' as a stable, uncontested ideal.
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