Challenging conventional scholarship placing the origins of film
noir in postwar Hollywood, Sheri Chinen Biesen finds the genre's
roots firmly planted in the political, social, and material
conditions of Hollywood during the war. After Pearl Harbor, America
and Hollywood experienced a sharp cultural transformation that made
horror, shock, and violence not only palatable but preferable. Hard
times necessitated cheaper sets, fewer lights, and fresh talent;
censors as well as the movie-going public showed a new tolerance
for sex and violence; and female producers experienced newfound
prominence in the industry.
Biesen brings prodigious archival research, accessible prose,
and imaginative insights to both well-known films noir of the
wartime period-- "The Maltese Falcon," "The Big Sleep," and "Double
Indemnity"--and others often overlooked or underrated-- "Scarlet
Street," "Ministry of Fear," "Phantom Lady," and "Stranger on the
Third Floor."
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