This collection of essays critically interrogates Toni Morrison's
use of the Bible in her novels, examining the ways in which the
author plays on the original text to raise issues of spirituality
as it affects race, gender, and class. Ideal for course on Morrison
or on explorations of the intersection of religion and literature,
this collection treats its topic with sophistication, considering «
religion in its broadest possible sense, and examining syncretic
theologies as well as mainstream religions in its attempt to locate
Morrison's work in a spiritual-theological nexus.
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