Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare, Romeo and Juliet, and Civic Life - The Boundaries of Civic Space (Hardcover)
Loot Price: R2,913
Discovery Miles 29 130
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Shakespeare, Romeo and Juliet, and Civic Life - The Boundaries of Civic Space (Hardcover)
Series: Routledge Studies in Shakespeare
Expected to ship within 12 - 17 working days
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This volume introduces 'civic Shakespeare' as a new and complex
category entailing the dynamic relation between the individual and
the community on issues of authority, liberty, and cultural
production. It investigates civic Shakespeare through Romeo and
Juliet as a case study for an interrogation of the limits and
possibilities of theatre and the idea of the civic. The play's
focus on civil strife, political challenge, and the rise of a new
conception of the individual within society makes it an ideal site
to examine how early modern civic topics were received and
reconfigured on stage, and how the play has triggered ever new
interpretations and civic performances over time. The essays focus
on the way the play reflects civic life through the dramatization
of issues of crisis and reconciliation when private and public
spaces are brought to conflict, but also concentrate on the way the
play has subsequently entered the public space of civic life. Set
within the fertile context of performance studies and inspired by
philosophical and sociological approaches, this book helps clarify
the role of theatre within civic space while questioning the
relation between citizens as spectators and the community. The
wide-ranging chapters cover problems of civil interaction and their
onstage representation, dealing with urban and household spaces;
the boundaries of social relations and legal, economic, political,
and religious regulation; and the public dimension of memory and
celebration. This volume articulates civic Romeo and Juliet from
the sources of genre to contemporary multicultural performances in
political contact-zones and civic 'Shakespaces,' exploring the Bard
and this play within the context of communal practices and their
relations with institutions and civic interests.
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