The French novel's "return to the story" in the last decades of the
twentieth century and the beginning of the twenty-first is has been
widely acknowledged in literary scholarship. But is this assessment
accurate? With "French Fiction in the Twenty-First Century, "Simon
Kemp looks at the work of five contemporary writers--Annie Ernaux,
Pascal Quignard, Marie Darrieussecq, Jean Echenoz, and Patrick
Modiano--in the context of the current French literary scene, and
examines how far they pursue the innovations of their predecessors
and just how far they have turned their backs on the era of
experiment.
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