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Studi Pergolesiani- Pergolesi Studies - a cura di / edited by Simone Caputo (English, Italian, Paperback, New edition)
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Studi Pergolesiani- Pergolesi Studies - a cura di / edited by Simone Caputo (English, Italian, Paperback, New edition)
Series: Studi Pergolesiani / Pergolesi Studies, 7
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Il settimo volume di Studi Pergolesiani/Pergolesi Studies raccoglie
le relazioni presentate al convegno "Roma 1735: Pergolesi e
l'Olimpiade" tenutosi presso l'Universita "La Sapienza" di Roma il
9-10 settembre del 2010. Il convegno, ideato da Franco Piperno, si
inseri nella serie di manifestazioni dedicate a Giovanni Battista
Pergolesi nel terzo centenario della nascita. Roma venne
individuata come la sede di un tentato lancio dell'astro nascente
della musica di scuola napoletana da parte di committenti
filo-asburgici. Olimpiade del Metastasio fu il testo drammatico che
doveva assecondare questo lancio nei circuiti teatrali italiani ed
europei di un musicista fin li affermatosi solo sulla scena
partenopea. Ma il progetto falli, probabilmente per il sovrapporsi
di contrasti di matrice politica alla capacita della musica
pergolesiana di far presa sul gusto del pubblico romano. Questo
libro e la felice testimonianza di due fertili giornate di studio
in cui un concreto oggetto di teatro musicale e stato sottoposto a
disamina da molteplici prospettive disciplinari, con significativi
contributi di studiosi di letteratura italiana, storici della
lingua, bibliografi e musicologi. Studi Pergolesiani/Pergolesi
Studies 7 collects the papers presented at the conference "Roma
1735: Pergolesi e l'Olimpiade" held at "La Sapienza" University of
Rome on September 9th-10th, 2010. The conference, conceived by
Franco Piperno, was part of a series of events celebrating the
third centenary of Giovanni Battista Pergolesi's birth. Rome was
identified by pro-Habsburg patrons as the starting point of an
attempted promotion of the rising star of the Neapolitan school of
music. Pergolesi's music for Olimpiade by Metastasio was expected
to launch the composer in the Italian and European theatrical
circuits since until then he was renown only on the Neapolitan
scene. The project failed, probably due to the overlapping of
politically motivated conflicts to the ability of the Pergolesi's
music to reach Roman audience. This book is the outcome of two
fertile days of study in which a concrete object of musical theater
was examined from multiple disciplinary perspectives, with
significant contributions from scholars of Italian studies,
linguistic, bibliography and musicology.
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