How is photography connected to global practices? This is a first
edited collection to trace the relationship between history,
photography and memory in a global perspective on three
interrelated levels: firstly, in the artistic and cultural
production of pictures, secondly, in the decoding of colonial and
contemporary photography, and thirdly, in collecting photographs in
picture archives dealing with colonial, anthropological and family
photography. The contributions sketch the contested field of global
photography and trace the manifold intertwinements between
historical and contemporary photographs.
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