Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600
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Mixed Metaphors - The Danse Macabre in Medieval and Early Modern Europe (Hardcover, Unabridged edition)
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Mixed Metaphors - The Danse Macabre in Medieval and Early Modern Europe (Hardcover, Unabridged edition)
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This groundbreaking collection of essays by a host of international
authorities addresses the many aspects of the Danse Macabre, a
subject that has been too often overlooked in Anglo-American
scholarship. The Danse was once a major motif that occurred in many
different media and spread across Europe in the course of the
fifteenth century, from France to England, Germany, Scandinavia,
Poland, Spain, Italy and Istria. Yet the Danse is hard to define
because it mixes metaphors, such as dance, dialogue and violence.
The Danse Macabre aimed to confront viewers and readers with the
prospect of their own demise by showing how Death summons each and
every one of us-whether high or low, young or old, rich or poor. It
functioned both as a text and as a visual theme, and often in
combination, while also lending itself well to performance. Now
best known through the satirical woodcuts of Hans Holbein the
Younger, the motif was one of several 'macabre' themes that
developed alongside the moralising tale of the Three Living and the
Three Dead and the stark depiction of the cadaver on tomb
monuments. The Danse Macabre was influenced by earlier themes, but
thanks to its versatility its own impact went much further. As this
corpus of innovative research will show, the Danse inspired
sculptors, portrait artists, authors and dramatists such as
Shakespeare far more than has been recognised until now. From the
mural in 1420s Paris and John Lydgate's poem to the subsequent
dissemination in print, Mixed Metaphors will reveal the lasting
influence of the Danse on European culture from the Middle Ages to
the present day.
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