Stanley Fish is one of America's most stimulating literary
theorists. In this book, he undertakes a profound reexamination of
some of criticism's most basic assumptions. He penetrates to the
core of the modern debate about interpretation, explodes numerous
misleading formulations, and offers a stunning proposal for a new
way of thinking about the way we read.
Fish begins by examining the relation between a reader and a
text, arguing against the formalist belief that the text alone is
the basic, knowable, neutral, and unchanging component of literary
experience. But in arguing for the right of the reader to interpret
and in effect create the literary work, he skillfully avoids the
old trap of subjectivity. To claim that each reader essentially
participates in the making of a poem or novel is not, he shows, an
invitation to unchecked subjectivity and to the endless
proliferation of competing interpretations. For each reader
approaches a literary work not as an isolated individual but as
part of a community of readers. 'Indeed," he writes, "it is
interpretive communities, rather than either the text or reader,
that produce meanings."
The book is developmental, not static. Fish at all times
reveals the evolutionary aspect of his work--the manner in which he
has assumed new positions, altered them, and then moved on.
Previously published essays are introduced by headnotes which
relate them to the central notion of interpretive communities as it
emerges in the final chapters. In the course of refining his
theory, Fish includes rather than excludes the thinking of other
critics and shows how often they agree with him, even when he and
they may appear to be most dramatically at odds. Engaging, lucid,
provocative, this book will immediately find its place among the
seminal works of modern literary criticism.
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