East Asia largely functions as a single film and media market, but
behind it exists a multifaceted world of coproduction crossing
linguistic and national borders. In "Coproducing Asia," Stephanie
DeBoer guides readers through a rich genealogy of regional film and
media coproduction, all the while introducing innovative methods
for their examination across decades, locations, and scales of
production in East Asia and beyond.
Beginning with the present and moving back in time, "Coproducing
Asia" paints a picture of the assemblages of coproduction in East
Asia and their negotiation of Cold War geopolitics and imperial
legacies along with the emergence of China as a global market.
Addressing wide-screen international romances of the early 1960s,
technology transfers of Cold War action cinema, Sino-Japanese
"friendship" TV collaborations, Asian omnibus film and video, and
more recent China-centered blockbusters, DeBoer deftly
contextualizes each case study while accounting for the
difficulties involved in the cultural, creative, and industry
mediations associated with coproduction.
Based on rarely seen archival research as well as interviews
with producers in Tokyo, Hong Kong, Taipei, and Shanghai,
"Coproducing Asia" provides compelling frames for understanding the
significance of film and media coproduction in East Asia, making
clear that it is not only a site of technological transformation
but also an arena for competing senses of regional location and
place.
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