Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900
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Painting Antiquity - Ancient Egypt in the Art of Lawrence Alma-Tadema, Edward Poynter and Edwin Long (Hardcover)
Loot Price: R3,394
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Painting Antiquity - Ancient Egypt in the Art of Lawrence Alma-Tadema, Edward Poynter and Edwin Long (Hardcover)
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Inspired by newly discovered antiquities of the ancient world
exhibited in the museums of Europe and celebrated in the
illustrated press of the day, the leading British history painters
Sir Lawrence Alma-Tadema, Sir Edward Poynter and Edwin Long created
a striking body of artworks in which archaeology was a prime focus.
Of the growing community of historicist and classicist painters in
mid-nineteenth century Britain, these artists expressed a passion
for archaeological detail, and their aesthetic engagement with
ancient material culture played a key role in fostering the
enthusiasm for antiquity with wider audiences. Painting Antiquity
explores the archaeological dimension of their paintings in detail,
addressing how the relationship these artists had with ancient
objects represented a distinctive and important development in the
cultural reception of the past. The book also considers the
inspiration for the movement defined as "archaeological genre
painting," the artistic and historic context for this new style,
the archaeological sources upon which the artworks were based, and
the critical reception of the paintings in the world of Victorian
art criticism. Alongside extensive visual evidence, rendered here
in both striking color and black-and-white imagery, Stephanie Moser
shows how this artistic practice influenced our understanding of
ancient Egypt. Further, she argues that these paintings affected
the development of archaeology as a discipline, revealing how the
painters had an intense engagement with archaeology, representing
artefacts in extraordinary detail and promoting the use of ancient
material culture according to an aesthetic agenda. The issues
raised by placing importance on concepts of beauty and decoration,
over values such as rarity, function, or historical use continue to
divide archaeologists and art historians in the present day.
Ultimately, by demonstrating how the artistic dialogue with
antiquity contributed to defining it, Painting Antiquity sheds
important new light on the two-way exchanges between visual
representations of the past and knowledge formation.
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