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The Origins and Ascendancy of the Concert Mass (Paperback)
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The Origins and Ascendancy of the Concert Mass (Paperback)
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The mass is an extraordinary musical form. Whereas other Western
art music genres from medieval times have fallen out of favour, the
mass has not merely survived but flourished. A variety of
historical forces within religious, secular, and musical arenas saw
the mass expand well beyond its origins as a cycle of medieval
chants, become concertised and ultimately bifurcate. Even as
Western societies moved away from their Christian origins to become
the religiously plural and politically secular societies of today,
and the Church itself moved in favour of congregational singing,
composers continued to compose masses. By the early twentieth
century two forms of mass existed: the liturgical mass composed for
church services, and the concert mass composed for secular venues.
Spanning two millennia, The Origins and Ascendancy of the Concert
Mass outlines the origins and meanings of the liturgical texts,
defines the concert mass, explains how and why the split occurred,
and provides examples that demonstrate composers' gradual
appropriation of the genre as a vehicle for personal expression on
serious issues. By the end of the twentieth century the concert
mass had become a repository for an eclectic range of theological
and political ideas.
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