Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
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Shakespeare and Historical Formalism (Hardcover, New Ed)
Loot Price: R4,157
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Shakespeare and Historical Formalism (Hardcover, New Ed)
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Located at the intersection of new historicism and the 'new
formalism', historical formalism is one of the most rapidly growing
and important movements in early modern studies: taking seriously
the theoretical issues raised by both history and form, it
challenges the anti-formalist orthodoxies of new historicism and
expands the scope of historicist criticism. Shakespeare and
Historical Formalism is the first volume devoted exclusively to
collecting and assessing work of this kind. With essays on a broad
range of Shakespeare's works and engaging topics from performance
theory to the emergence of 'the literary' and from historiography
to pedagogy, the volume demonstrates the value of historical
formalism for Shakespeare studies and for literary criticism as a
whole. Shakespeare and Historical Formalism begins with an
introduction that describes the nature and potential of historical
formalism and traces its roots in early modern literary theory and
its troubled relationship with new historicism. The volume is then
divided into two sections corresponding to the two chief objectives
of historical formalism: a historically informed and politically
astute formalism, and a historicist criticism revitalized by
attention to issues of form. The first section, 'Historicizing
Form', explores from a variety of perspectives the historical and
political sources, meanings and functions of Shakespeare's dramatic
forms. The second section, 'Re-Forming History', uses questions of
form to rethink our understanding of historicism and of history
itself, and in doing so challenges some of our fundamental
literary-critical, pedagogical and epistemological assumptions.
Concluding with suggestions for further reading on historical
formalism and related work, Shakespeare and Historical Formalism
invites scholars to rethink the familiar categories and principles
of formal and historical criticism.
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