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No Accident, Comrade - Chance and Design in Cold War American Narratives (Paperback)
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No Accident, Comrade - Chance and Design in Cold War American Narratives (Paperback)
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No Accident, Comrade argues that chance became a complex yet
conflicted cultural signifier during the Cold War, when a range of
thinkers-politicians, novelists, historians, biologists,
sociologists, and others-contended that totalitarianism denied the
very existence and operation of chance in the world. They claimed
that the USSR perpetrated a vast fiction on its population, a
fiction amplified by the Soviet view that there is no such thing as
chance or accident, only manifestations of historical law (hence
the popular American refrain used to refer to Marxism: "It was no
accident, Comrade"). By reading an expansive range of American
novels published between 1947-2005, alongside nonfiction texts by
the likes of Jerzy Kosinski, Daniel Bell, Ian Hacking, and
mid-century game theorists, No Accident, Comrade explains how
associations of chance with democratic freedom and the denial of
chance with totalitarianism circulated in Cold War America. Chance
became tied to the liberties of U.S. democracy, whereas its
eradication or denial became symptomatic of Soviet tyranny. With
works by Nabokov, Ellison, Pynchon, Didion, DeLillo, Colson
Whitehead, and many others, Steven Belletto shows how writers
developed innovative strategies for dealing with and incorporating
these ever-present beliefs about chance and its role in their
culture. These newly developed narrative techniques allowed them to
theorize, satirize, and make sense of the constantly changing
relationship between the individual and the state during a largely
rhetorical conflict.
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