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No Accident, Comrade - Chance and Design in Cold War American Narratives (Hardcover)
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No Accident, Comrade - Chance and Design in Cold War American Narratives (Hardcover)
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No Accident, Comrade argues that chance became a complex yet
conflicted cultural signifier during the Cold War, when a range of
thinkers--politicians, novelists, historians, biologists,
sociologists, and others--contended that totalitarianism denied the
very existence and operation of chance in the world. They claimed
that the USSR perpetrated a vast fiction on its population, a
fiction amplified by the Soviet view that there is no such thing as
chance or accident, only manifestations of historical law (hence
the popular American refrain used to refer to Marxism: "It was no
accident, Comrade").
By reading an expansive range of American novels published between
1947-2005, alongside nonfiction texts by the likes of Jerzy
Kosinski, Daniel Bell, Ian Hacking, and mid-century game theorists,
No Accident, Comrade explains how associations of chance with
democratic freedom and the denial of chance with totalitarianism
circulated in Cold War America. Chance became tied to the liberties
of U.S. democracy, whereas its eradication or denial became
symptomatic of Soviet tyranny. With works by Nabokov, Ellison,
Pynchon, Didion, DeLillo, Colson Whitehead, and many others, Steven
Belletto shows how writers developed innovative strategies for
dealing with and incorporating these ever-present beliefs about
chance and its role in their culture. These newly developed
narrative techniques allowed them to theorize, satirize, and make
sense of the constantly changing relationship between the
individual and the state during a largely rhetorical conflict.
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