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The Object of Copyright - A Conceptual History of Originals and Copies in Literature, Art and Design (Paperback)
Loot Price: R1,428
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The Object of Copyright - A Conceptual History of Originals and Copies in Literature, Art and Design (Paperback)
Series: Routledge Research in Intellectual Property
Expected to ship within 12 - 17 working days
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Recent years have seen a number of pressing developments in
copyright law: there has been an enormous increase in the range and
type of work accorded protection; the concept of the 'original
work' has entered into national copyright acts; and intangible
entities are now entitled to protection by copyright. All these are
consequences of legislative and technological developments that can
be traced back over two centuries and more. the result. This book
presents an interdisciplinary study of the growth of copyright law,
largely based on archival research and on archival materials only
recently made available online. The new history here articulated
helps to explain why print is no longer today the sole or even the
chief object of copyright protection. Taking its key examples from
British, French and Danish copyright law, the book begins by
exploring how the earliest copyright laws emerged out of the
technological understanding of a printed 'copy,' and out of the
philosophical notions of originals and copies, tangibles and
intangibles. Dr Teilmann-Lockgoes on to examine the concept of the
'work' as it develops both conceptually and legally, as the object
of protection, and then explains how, in a curious consequence,
'the work' turns the 'copy' into the 'mere' material instantiation
of the intangible 'original'. The book concludes by addressing the
considerable and complicated problems now emerging in copyright law
following the inclusion of design within the scope of its
protection. In this field Danish law, striving to protect Danish
design, has been setting the trend for over a hundred years. In its
examination of terminological exchanges between the diverse legal
traditions and philosophical discourse, and in its thorough
investigation of particular terms central to copyright legislation,
this interdisciplinary book will be of great interest to scholars
and students of copyright and intellectual property law; it also
makes an important contribution to literary studies, legal history
and cultural theory.
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