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Voguing and the House Ballroom Scene of New York 1989-92 (Paperback)
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Voguing and the House Ballroom Scene of New York 1989-92 (Paperback)
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In 1989, Malcolm McLaren had his only number one hit with a single
called "Deep in Vogue." Early the next year, Madonna had one of the
biggest hits of her career, with the single "Vogue," and when
Jennie Livingston's film "Paris Is Burning" arrived in cinemas the
same year, winning the Grand Jury Prize at the Sundance Film
Festival, the mainstream got hip to New York City's extraordinary
ball culture, from which the film and McLaren and Madonna's songs
had arisen. "Paris Is Burning" documented a gay ballroom scene that
emerged in Harlem in the mid-1980s, which drew African American and
Latino gay and transgender communities to compete against one
another for their dancing skills, the verisimilitude of their drag
and their ability to walk on the runway. Photographer Chantal
Regnault spent many years recording this scene, from which the
dance style known as voguing arose. A visual riot of fashion,
polysexuality and subversive style, "Voguing and the Gay Balls of
New York City" is also an extraordinary document on sexuality and
race. The wild years of voguing are vividly captured in Regnault's
hundreds of amazing, previously unpublished photographs. The book
also features interviews with key figures from the movement,
essays, flyers and ephemera.
Photographer and documentarist Chantal Regnault was born in France.
She left Paris after the 1968 uprisings to live in New York, where
she lived for the next 15 years. At the end of the 1980s she became
immersed in Harlem's voguing scene. Also around this time, Regnault
developed an interest in Haitian voodoo culture and began to divide
her time between Haiti and New York. Her widely published
photographs have appeared in major magazines and newspapers,
including "Vanity Fair" and "The New York Times."
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