Why does the position of the threshold exert such a compelling
hold on our imaginative lives? Why is it a resonant space, and so
urgently the place of writing - the place where one may remain,
avoid speaking or naming, yet speak from? Through a combination of
case studies and theoretical investigations, this book addresses
these questions and speaks to the imaginative power of the
threshold as a productive space in literature and art.
The first volume to draw together a significant range of the
applications of the 'threshold', the book is located naturally on
the threshold between disciplines, and alive to the increasingly
interdisciplinary nature of education and scholarship. But its
particular intervention is mainly literary, whether through an
address of literary narratives, or through the use of literary
critical analysis, or indeed through acts of criticism that become
creative acts. Of this line of enquiry, 'Thinking on Thresholds' is
a pioneering volume. Its broader remit is to examine the functions
of transitive spaces in poetic language and mimesis. This includes
ways in which narrative and mimetic art address the material and
imaginative realities of such spaces; how they are drawn to
threshold experience in life, society, and historical practice; and
the affinity between the artistic process and the spatial idea of
the threshold. Thus, it is cross-historical without being
ahistorical, interdisciplinary but methodologically coherent. It
also, unusually, muses on the methodologies that the threshold
calls for in narrative as well as critical practice.
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