With monumental changes in the last two decades, Taiwan is
making itself anew. The process requires remapping not only the
country's recent political past, but also its literary past.
Taiwanese literature is now compelled to negotiate a path between
residual high culture aspirations and the emergent reality of
market domination in a relatively autonomous, increasingly
professionalized field. This book argues that the concept of a
field of cultural production is essential to accounting for the
ways in which writers and editors respond to political and economic
forces. It traces the formation of dominant concepts of literature,
competing literary trends, and how these ideas have met political
and market challenges.
Contemporary Taiwanese literature has often been neglected and
misrepresented by literary historians both inside and outside of
Taiwan. Chang provides a comprehensive and fluent history of late
twentieth-century Taiwanese literature by placing this vibrant
tradition within the contexts of a modernizing local economy, a
globalizing world economy, and a postcolonial and post-Cold War
world order.
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