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Animal Visions - Posthumanist Dream Writing (Hardcover, 1st ed. 2019)
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Animal Visions - Posthumanist Dream Writing (Hardcover, 1st ed. 2019)
Series: Palgrave Studies in Animals and Literature
Expected to ship within 10 - 15 working days
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Animal Visions considers how literature responds to the harms of
anthropocentricism, working with Emily Bronte's Wuthering Heights
(1847) and various adaptations of this canonistic novel to show how
posthumanist dream writing unsettles the privileging of the human
species over other species. Two feminist and post-Freudian
responses, Kathy Acker's poem "Obsession" (1992) and Anne Carson's
"The Glass Essay" (1997) most strongly extend Bronte's dream
writing in this direction. Building on the trope of a ludic Cathy
ghost who refuses the containment of logic and reason, these and
other adaptations offer the gift of a radical peri-hysteria. This
emotional excess is most clearly seen in Kate Bush's music video
"Wuthering Heights" (1978) and Peter Kosminsky's film Wuthering
Heights (1992). Such disturbances make space for a moor love that
is particularly evident in Jane Urquhart's novel Changing Heaven
(1989) and, to a lesser extent Sylvia Plath's poem, "Wuthering
Heights" (1961). Bronte's Wuthering Heights and its most productive
afterings make space for co-affective relations between humans and
other animal beings. Andrea Arnold's film Wuthering Heights (2011)
and Luis Bunuel's Abismos de Pasion (1954) also highlight the
rupturing split gaze of non-acting animals in their films. In all
of these works depictions of intra-active and entangled responses
between animals show the potential for dynamic and generative
multispecies relations, where the human is one animal amongst the
kin of the world.
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