Francois Truffaut called "Night and Fog" "the greatest film ever
made." But when Alain Resnais finished his documentary, with its
depiction of Nazi atrocities, the resistance of the French censors
was fierce. A mere decade had passed since the end of the war, and
the French public was unprepared to confront the horrors shown in
the film--let alone the possibility of French complicity. In fact
it would be through "Night and Fog" that many viewers first
learned, as film critic Serge Daney put it, "that the worst had
only just taken place."
An engrossing account of the genesis, production, and legacy of
Resnais's incomparable film, this book documents in extraordinary
detail how a film that began as a cinematic spin-off of an
educational exhibition on "resistance, liberation, and deportation"
went on to become a significant step in the building of a
collective consciousness of the tragedy of World War II. Sylvie
Lindeperg frames her investigation with the story of historian Olga
Wormser-Migot, who played an integral role in the research and
writing of "Night and Fog"--and whose slight error on one point
gave purchase to the film's detractors and revisionists and
Holocaust deniers. Lindeperg follows the travails of Resnais,
Wormser-Migot, and their collaborators in a pan-European search for
footage, photographs, and other documentation. She uncovers
creative use of liberation footage to stand in for daily life of
the camps featured to such shocking effect in the film--a finding
that raises hotly debated questions about reenactment and
witnessing even as it enhances our understanding of the film's
provenance and impact.
A microhistory of a film that altered the culture it reflected,
"Night and Fog "offers a unique interpretation of the interworking
of biography, history, politics, and film in one epoch-making
cultural moment.
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