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Gender, Space, and the Gaze in Post-Haussmann Visual Culture - Beyond the Flaneur (Paperback)
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Gender, Space, and the Gaze in Post-Haussmann Visual Culture - Beyond the Flaneur (Paperback)
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Charles Baudelaire's flaneur, as described in his 1863 essay "The
Painter of Modern Life," remains central to understandings of
gender, space, and the gaze in late nineteenth-century Paris,
despite misgivings by some scholars. Baudelaire's privileged and
leisurely figure, at home on the boulevards, underlies
theorizations of bourgeois masculinity and, by implication,
bourgeois femininity, whereby men gaze and roam urban spaces
unreservedly while women, lacking the freedom to either gaze or
roam, are wedded to domesticity. In challenging this tired paradigm
and offering fresh ways to consider how gender, space, and the gaze
were constructed, this book attends to several neglected elements
of visual and written culture: the ubiquitous male beggar as the
true denizen of the boulevard, the abundant depictions of
well-to-do women looking (sometimes at men), the popularity of
windows and balconies as viewing perches, and the overwhelming
emphasis given by both male and female artists to domestic scenes.
The book's premise that gender, space, and the gaze have been too
narrowly conceived by a scholarly embrace of Baudelaire's flaneur
is supported across the cultural spectrum by period sources that
include art criticism, high and low visual culture, newspapers,
novels, prescriptive and travel literature, architectural
practices, interior design trends, and fashion journals.
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