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The Political in Margaret Atwood's Fiction - The Writing on the Wall of the Tent (Paperback)
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The Political in Margaret Atwood's Fiction - The Writing on the Wall of the Tent (Paperback)
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Suggesting that politics and power are at the center of Margaret
Atwood's fiction, Theodore F. Sheckels examines Atwood's novels
from The Edible Woman to The Year of the Flood. Whether her
treatment is explicit as in Bodily Harm and The Handmaid's Tale or
by means of an exploration of interiority as in Cat's Eye and The
Robber Bride, Atwood's persistent concern is with how the empowered
act towards those who are constrained within the political,
economic and social institutions that facilitate power dynamics.
Sheckels identifies an increasing sophistication in Atwood's
exposition of power over time that is revealed in the later novels'
engagement with social class, postcolonialism, and a globalism that
merges science and commerce as issues relevant to politics and
power. Acknowledging that Atwood is not a political theorist but a
novelist, Sheckels does not suggest that her work should be viewed
as political commentary but rather as a creative treatment of the
laudable but ultimately only partially successful ways in which
women and other groups resist the constraints placed on them by
institutionalized oppression.
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