Using an illuminating method that challenges the popular notion
of Romanticism as aesthetic escapism, Theodore Ziolkowski explores
five institutions--mining, law, madhouses, universities, and
museums--that provide the socio-historical context for German
Romantic culture. He shows how German writers and thinkers helped
to shape these five institutions, all of which assumed their modern
form during the Romantic period, and how these social structures in
turn contributed to major literary works through image, plot,
character, and theme. "Ziolkowski cannot fail to impress the reader
with a breadth of erudition that reveals fascinating intersections
in the life and works of an artist.... He conveys the sense of
energy and idealism that fueled Schiller and Goethe, Fichte and
Hegel, Hoffmann and Novalis...."--Emily Grosholz, The Hudson Review
" This book] should be put in the hands of every student who is
seriously interested in the subject, and I cannot imagine a scholar
in the field who will not learn from it and be delighted with
it."--Hans Eichner, Journal of English and Germanic Philology
"Ziolkowski is among those who go beyond lip-service to the
historical and are able to show concretely the ways in which
generic and thematic intentions are inextricably enmeshed with
local and specific institutional circumstances."--Virgil Nemoianu,
MLN
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