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Images, Iconoclasm, and the Carolingians (Paperback)
Loot Price: R843
Discovery Miles 8 430
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Images, Iconoclasm, and the Carolingians (Paperback)
Series: The Middle Ages Series
Expected to ship within 12 - 17 working days
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In the year 726 C.E., the Byzantine emperor Leo III issued an edict
declaring images to be idols, forbidden by Exodus, and ordering all
such images in churches to be destroyed. Thus commenced the first
wave of Byzantine iconoclasm, which ran its violent course until
787, when the underlying issues were temporarily resolved at the
Second Council of Nicaea. In 815, a second great wave of iconoclasm
was set off, only to end in 842 when the icons were restored to the
churches of the East and the iconoclasts excommunicated. The
iconoclast controversies have long been understood as marking major
fissures between the Western and Eastern churches. Thomas F. X.
Noble reveals that the lines of division were not so clear. It is
traditionally maintained that the Carolingians in the 790s did not
understand the basic issues involved in the Byzantine dispute.
Noble contends that there was, in fact, a significant Carolingian
controversy about visual art and, if its ties to Byzantine
iconoclasm were tenuous, they were also complex and deeply rooted
in central concerns of the Carolingian court. Furthermore, he
asserts that the Carolingians made distinctive and original
contributions to the whole debate over religious art. Images,
Iconoclasm, and the Carolingians is the first book to provide a
comprehensive study of the Western response to Byzantine
iconoclasm. By comparing art-texts with laws, letters, poems, and
other sources, Noble reveals the power and magnitude of the key
discourses of the Carolingian world during its most dynamic and
creative decades.
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