From William Dickson's Rip Van Winkle films (1896) to Baz
Luhrmann's big-budget production of The Great Gatsby (2013) and
beyond, cinematic adaptations of American literature participate in
a rich and fascinating history. Unlike previous studies of American
literature and film, which emphasize particular authors like Edith
Wharton and Nathaniel Hawthorne, particular texts like Moby-Dick,
particular literary periods like the American Renaissance, or
particular genres like the novel, this volume considers the
multiple functions of filmed American literature as a cinematic
genre in its own right-one that reflects the specific political and
aesthetic priorities of different national and historical cinemas
even as it plays a decisive role in defining American literature
for a global audience.
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