This book is an important contribution to the philosophy of art
that bridges the disciplines of philosophy and art. It engages with
a long-standing debate about what it is that bestows the
designation 'art' on an artwork. Tiffany Sutton shows how the
history of art should influence the classification of visual art.
She considers the various theories that have been put forward to
define the nature of the artwork and then offers her own set of
classificatory norms. Amongst the critical questions that are
addressed in the process are: how important is patronage in the
contemporary visual arts, and what lends conceptual art its
specific aura?
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