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On Flinching - Theatricality and Scientific Looking from Darwin to Shell Shock (Hardcover)
Loot Price: R2,592
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On Flinching - Theatricality and Scientific Looking from Darwin to Shell Shock (Hardcover)
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While the end of the nineteenth century is often associated with
the rise of objectivity and its ideal of a restrained observer,
scientific experiments continued to create emotional, even
theatrical, relationships between scientist and his subject. On
Flinching focuses on moments in which scientific observers flinched
from sudden noises, winced at the sight of an animal's pain or
cringed when he was caught looking, as ways to consider a
distinctive motif of passionate and gestured looking in the
laboratory and beyond. It was not their laboratory machines who
these scientific observers most closely resembled, but the
self-consciously emotional theatrical audiences of the period.
Tiffany Watt-Smith offers close readings of four experiments
performed by the naturalist Charles Darwin, the physiologist David
Ferrier, the neurologist Henry Head, and the psychologist Arthur
Hurst. Bringing together flinching scientific observers with actors
and spectators in the late nineteenth and early twentieth century
theatre, it places the history of scientific looking in its wider
cultural context, arguing that even at the dawn of objectivity the
techniques and problems of the stage continued to haunt scientific
life. In turn, it suggests that by exploring the ways recoiling,
shrinking and wincing becoming paradigmatic spectatorial gestures
in this period, we can understand the ways Victorians thought about
looking as itself an emotional and gestured performance.
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