Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
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The Sound of Medieval Song - Ornamentation and Vocal Style According to the Treatises (Hardcover)
Loot Price: R3,972
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The Sound of Medieval Song - Ornamentation and Vocal Style According to the Treatises (Hardcover)
Series: Oxford Monographs on Music
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The Sound of Medieval Song is a study of how sacred and secular
music was actually sung during the Middle Ages. The source of the
information is the actual notation in the early manuscripts as well
as statements found in approximately 50 theoretical treatises
written between the years 600-1500. The writings describe various
singing practices and both desirable and undesirable vocal
techniques, providing a fairly accurate picture of how singers
approached the music of the period. Detailed descriptions of the
types and uses of improvised ornament indicate that in performance
the music was highly ornate, and included trill, gliss,
reverberation, pulsation, pitch inflection, non-diatonic tones, and
cadenza-like passages of various lengths. The treatises also
provide evidence of stylistic differences in various geographical
locations. McGee draws conclusions about the kind of vocal
production and techniques necessary in order to reproduce the music
as it was performed during the Middle Ages, aligning the practices
much more closely with those of the Middle East than has ever been
previously acknowledged.
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