There have been serious debates between historians, novelists
and filmmakers as to how best present historical narratives. When
writers and filmmakers talk of using historical research with
integrity, what exactly do they mean? Integrity and Historical
Research examines this question in detail. The first chapter
discusses the concept of integrity. The chapters that follow
reflect on this philosophical treatment in the light of fiction and
film that deals with history in a number of ways. How should
writers and filmmakers use lives? Can, and may, people who are now
dead and who may have lived long ago, be defamed?
The authors include academics, historians, social historians,
medievalists, oral historians, literary theorists, historical
novelists and script writers. They examine the theoretical
influences and practical choices that involve and concern writers
and filmmakers who rely on historical research. The desire to be
accurate may often conflict with the need to produce a work that
goes beyond the mere depiction of events in order to excite the
interest of readers and to hold that interest. At the same time
there is a developing emphasis on historians, to write well in
clear, accessible prose, which may involve using the novelists
techniques. How much license may be given to writers of fiction and
filmmakers in their depiction of historical characters and events?
This book begins to answer this question, while inviting further
discussion.
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