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Art, Politics and Society in Britain (1880-1914) - Aspects of Modernity and Modernism (Hardcover, Unabridged edition)
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Art, Politics and Society in Britain (1880-1914) - Aspects of Modernity and Modernism (Hardcover, Unabridged edition)
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The oldest word in politics is "new". The oldest word in the
writing of history may well be "modern": it is, without doubt, one
of the most overworked adjectives in the English language. But the
indeterminacy is perhaps just another way of saying that the
difficulties raised are of a kind which simply will not go away...
This collection of eight essays on aspects of modernity and
modernism takes up the challenge of examining the complex, but
fascinating convergence of aesthetics, politics and a
quasi-spiritual dimension which is perhaps typical of British
modernist thinking about modernity. This may have produced figures
whom we now dismiss as eccentrics or "aesthetes", it none the less
produced figures whom many still think of as in some sense
embodying the national identity: what, after all, could be more
"English" than a William Morris wallpaper design? Rather than
towards socialism in any of its "scientific" guises, what the
British modernist approach to modernity may have been pushing at
was yet another mutation of liberalism: a libertarian-humanitarian
hybrid in which indigenous radical and Evangelical legacies keep
scientific socialism in check, where fellowship and domesticity
edge out a larger-scale, more abstract "fraternity", and where
citoyennete or civisme give way to what George Orwell was later to
define simply as "decency".
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