First published in 1964, this arresting and original work is a
study of the relations between content and form in drama; the
conflict between and ultimate reconciliation of certain kinds of
material that life presents to the poet and the demands inherent in
dramatic form and technique. There are chapters on Shakespeare's
historical plays, on Troilus and Cressida, on Milton's Samson
Agonistes and on general dramatic problems.
General
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